The Disappearing World of Wolfgang Tillmans
NY TIMES - His informal, generous pictures were some of the most moving art of the 1990s. Now, at MoMA, time catches up with the German photographer. - read more...
After Decades of Silence, Art About Abortion (Cautiously) Enters the Establishment
NY TIMES - An art taboo is falling, from the Whitney Museum to the Armory Show to blue-chip galleries. Yet artists acknowledge self-censorship on the topic. - read more ...
Eleven Burning Man 2022 installations that showcase deep-desert design
de zeen - A bulbous sculpture by architects Bjarke Ingels and Jakob Lange, an ornate temple and a walkway made of recycled ocean plastic were featured at the annual Burning Man festival in the Black Rock Deser...
The Allure of Self-Taught Art
Smithsonian Magazine - In the beginning, the weathervanes pointed the way. While scouring antique shops in the 1970s, Margaret Z. Robson purchased rustic, handmade barn toppers along with other handmade bits o...
“Unusually Large” Roman-Era Stone Phallus Impresses Archaeologists
Hyperallergic - We all know that size doesn’t matter, but archaeologists are nonetheless aflutter over a massive stone penis unearthed last month amidst excavation of Roman ruins in an Iberian archaeological si...
In “Largest Return” in Central American History, Netherlands Sends 300+ Artifacts Back to Panama
Hyperallergic - Dutch officials have agreed to repatriate hundreds of Indigenous artifacts to an archaeological museum in Panama. The announcement on August 29 claimed that the 343 pre-Hispanic ceramics held in...
Extreme Floods in Pakistan Devastate Cultural Heritage Sites
Hyperallergic - News of catastrophic climate change has been dominated this week by an unprecedented monsoon season in Pakistan that has killed more than 1,000 people and impacted a significant majority of the ...
Yves Leterrier
Beautés émouvantes des mondes flottants I, 2020, collage, 14.17” x 12.9”
Beautés émouvantes des mondes flottants I, 2021, oil on linen canvas, 45.6” x 31.8”
La Lune est gentile mais elle est capricieus...
Sandra Guy
Make the Change, 2015, oil on linen, 19.6” x 23.6”
Reduce Speed, oil on linen, 28.7" x 66.9"
Casuarina Coles Construction, 2017, oil on linen, 11.8” x 11.8”
Casuarina Development, 2022, oil on li...