“Art is a substitute for unreality that feels unattainable…”
Paul Zimmerman in conversation with Hans Johansson
Paul Zimmerman: You work in various disciplines of painting, graphics and video. How d...
“I love challenges…”
Paul Zimmerman in conversation with Chatarina Salomonsson
Paul Zimmerman: How did you develop interest in art?
Chatarina Salomonsson: I am self-taught, and bought my 1st brus...
“Abstract work is not abstract, but real…”
Paul Zimmerman in conversation with Misa Aihara
Paul Zimmerman: How did you develop interest in art?
Misa Aihara: At the age of 14 I wanted to be an art...
“The more I paint, the more I discover…”
Paul Zimmerman in conversation with Serge Gauya
Paul Zimmerman: How did you develop interest in art?
Serge Gauya: From an early age, I was always drawn to...
“Transforming ideas into a visual Language…”
Paul Zimmerman in conversation with Tone Hellrud
Paul Zimmerman: Textile is your preferred medium. How did you develop interest in it?
Tone Hellerud: ...
“I never know what each painting will eventually become…”
Paul Zimmerman in conversation with Ming Franz
Paul Zimmerman: Tell us about your background. How did you become interested in art?
Ming Franz: I w...
A generator of interpretations…”
Paul Zimmerman in conversation with Iso Decleer
Paul Zimmerman: Your oil on canvas paintings are resolutely abstract. How did you develop interest in this discipline...
“Have a moment to breath…”
Paul Zimmerman in conversation with Ted Barr
Paul Zimmerman: How did you develop interest in art?
Ted Barr: There were 2 subjects I was intrigued by in my childho...
“I listen to my inner voice…”
Paul Zimmerman in conversation with Ilham Mahfouz
Paul Zimmerman: You are a mixed media artist. How do you select Materials?
Ilham Mahfouz: I select Materials accor...
NY Times - The magenta glow of an exhibition outside the Guggenheim Museum, whose white spiral was off-limits to art lovers. The deserted grand staircase of a Metropolitan Opera silenced by the pandemic, its Sp...