Art Forum – Art history takes pride in naming its founding fathers, and in the world of Chilean art, Gonzalo Díaz is a noted forebear. Whether conceiving installations coinciding with and commenting on the end of Pinochet’s dictatorship (Lonquén 10 años, 1989) or questioning the role of institutions through public interventions (Unidos en la gloria y en la muerte, 1997–98), Díaz has become the standard for Conceptual art. – read more